Roger Michell的小回春俨然想起了十年前《鸭王》的讨人喜欢把一个取材于真事的盗窃故事妆点成种种不同的面貌:如更像在Ken Loach手下才会发生与聚焦的社会评论(他偷窃只为了有电视几十年后的电视执照风波仍然真切提醒着那些应该在这个社会被关照的人);几分无害更像属于“《东南卫视跨年晚会》宇宙”下的流行文化罪案攫取;还有无时不刻用老调BGM提醒着的温馨喜剧注入满满能量的Jim Broadbent和Helen Mirren同样再添把火犹如进场高手过招的大师班即使能量与精神老式但找到这部小品犹如纳凉同样很惊喜
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it's rare that we see Fincher shows any real emotions, wears his heart on a sleeve like this-albeit fleetingly, albeit he retreated back to his usual nonchalant self at the end-in his movies, this is fincher's Spartacus, undoubtably